Monkey Madness Monday: Typos, typos, typos!

I'm going crazy. Seriously. I've read this book over and over again. I've had an editor read it. I know that there are people out there who self publish who don't have an editor read their work and this is one of the reason self publishing gets a bad rap. So much self published work it put out unedited.  It's put out with typos and grammar and punctuation problems and turns people off from indie publishing as a whole.

For the life of me, I cannot fathom having missed so much on the first five or six passes. I'm going to get another proof copy after this one. I'm going to make sure the cover is okay then I'm going to have someone else read it for typos in case I missed any. Again. I know that there are traditionally published books out there with typos in them. It's one of the reasons I refuse to read Never Eighteen since its debut. I don't want to find any mistakes. But for my first indie project, I want it to be as flawless as possible. I don't want anyone to say things like, "well, that's what you can expect after all it IS self published" or things of a similar nature.

I admit, when it comes to editing, I'm lazy, but this? The mistakes that are in there? UGH!!! Some of

them are just plain stupid mistakes.

I'm sure every writer in the world will understand when I say, I'm so tired of this book. :)
The next couple days I'm busting these typos out and getting them back to Lori so she can get it formatted again and I can get a proof from Createspace and Lightning source and make sure we're ok again.

Man, this process can be a real bitch. At least I'm learning and hopefully things will go smoother for the next book, which I'm starting to think I should be starting this process for now.

Happy Monday all.

T is for Talk: Conference Talk

While I can't give you details of each class, because the talks are the property of each faculty member at the conference, I can give you a little idea of the sessions I took and the basic concept behind them, and also what else went on.

First there was an Editor/Agent/Art director panel, which was pretty informative.  People on the panel included Lionel Bender, Justin Chanda, Sarah Davies, Martha Mihalick, Joe Monti, Anne Moore, Timothy Travaglini, Liz Waniewski, Tina Wexler, and Marietta Zacker (you're going to have to look them up)

Then was keynote address by Deborah Wiles, which was amazing.  She talked about writing from your head, your heart, and your imagination and shared some personal stories and how they translated to content in her books.

My first breakout session was labeled as Marketing Mania: To the Bookshelf-The Sometimes Hidden Path, the speaker was agent Joe Monti.  It wasn't really was I thought it was going to be.  I thought it would talk more about Marketing, but it talked mainly about the process before that, what to expect between the time a book is signed to how it gets to the shelves.

My second session was Collaborative Marketing: Strength in Numbers by Roseanne Parry.  She was part of the Class of 2k9, and gave a lot of great information I can use with 2k12.  One of my favorite sessions.

Next session was How Far is Too Far in Teen Lit by Brent Hartinger.  I think he is an amazing person, and we happened to attend the same high school, though he was two years out by the time he got there.  This is what I took from that class:  I'm going to write what I want and let my agent figure out if it's too edgy.  You can go pretty far these days in edgy YA, and would be with good company.

I already told you I missed a few keynotes, which I really would have liked to see, but shit happens.

Sunday my first session was Five Ways to Make Your Character Sparkle by Kevin Emerson.  Great workshop about character development.  Kevin was very funny.  This was the session that I got up and read my stuff.  It was scary.

Next session, Writing From Anger by E. Lockhart.  Not what I expected, but it was interesting.

Next was Character Driven Stories by Liz Waniewski.  This was very helpful.  Most of the stuff I've written is character driven, and she gave us a worksheet to help us shape our characters, that was based on what she looks for when reading a manuscript.

There was another panel.  Local success stories. I'm not going to remember them all I think, but some of them were Carole Dagg, Caridad Ferrer, Craig Orback, Wendy Wahman, Jim Whiting, Jesse Joshua Watson, and Dori Yang.

There was also book signings.  I got a book signed by Holly Black and Brent Hartinger.

And then I nearly collapsed, so I left before the last keynote.

All in all a fun, informative weekend I would highly suggest to anyone.  There is no limit on educating yourself, and continuing to work on your craft.